Learning from the Masters: The Meet-Cute Part II

Last week I talked about meet-cutes–the moment when the protagonist meets her potential romantic lead. Today I want to give another example…

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Learning from the Masters: The Meet-Cute

So! If you follow me on Twitter you know I started writing a new novel…

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Learning from the Masters: On Varying Sentence Length

What would you say the goal of writing a novel is?

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Learning From The Masters: On Subtlety

So I want to talk about one of my favorite things in fiction… Subtlety. I’ve already written about how one of my biggest pet peeves in books is showing and telling. I also wrote a post on how to not do that.  I think the best novels are ones that show you everything that’s happening–then leave it to […]

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Learning from the Masters: Opening Lines

I’ve already done a list of the opening lines from all my favorite books, but now I’m going to do a list of some of my favorite opening lines. (There’s a difference, though some overlap.) I’m also going to avoid the classics, since those lists are already all over the internet already. Opening lines are so […]

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Learning from the Masters: Voice

Time for a look at another brilliant example of writer voice! This week I’m picking an unusual one…

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Learning from the Masters: Voice

I’ve written about voice in YA contemporary (twice), I’ve written about voice in YA historical, and today I’m going to talk about the voice of a writer who’s not YA at all. Because while it’s absolutely crucial as a writer to read within our genres, there is a tremendous amount to be learned from other genres, […]

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Learning from the Masters: Voice

So last week I said I wanted to talk about something super-important in novel-writing: voice. This week I’m talking about the same thing, and showing an example of a completely different kind of voice. In YA, you can sometimes read several books in a row all with similar voices. That’s why I love The Spectacular Now–the […]

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Learning from the Masters: Voice

So I’ve written a lot about what we can learn from the masterful writers who’ve come before us, focusing mainly on the first 250 words of the manuscript. Today I want to focus on something else: voice.

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Learning from the Masters: The First 250 Words

It’s time for another installment of this! (Click here to find installments 1, 2, and 3.) You know how when you read advice on querying, they suggest comparing your manuscript to a published book? For my first manuscript, this was really hard to do–it’s a YA mystery, with some historical fiction, with some magical realism, with […]

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