Learning from the Masters: Voice

Time for a look at another brilliant example of writer voice! This week I’m picking an unusual one…

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Learning from the Masters: Voice

I’ve written about voice in YA contemporary (twice), I’ve written about voice in YA historical, and today I’m going to talk about the voice of a writer who’s not YA at all. Because while it’s absolutely crucial as a writer to read within our genres, there is a tremendous amount to be learned from other genres, […]

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Learning from the Masters: Voice

So last week I said I wanted to talk about something super-important in novel-writing: voice. This week I’m talking about the same thing, and showing an example of a completely different kind of voice. In YA, you can sometimes read several books in a row all with similar voices. That’s why I love The Spectacular Now–the […]

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Learning from the Masters: Voice

So I’ve written a lot about what we can learn from the masterful writers who’ve come before us, focusing mainly on the first 250 words of the manuscript. Today I want to focus on something else: voice.

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Learning from the Masters: The First 250 Words

I’m still struggling with getting the beginning of my novel just right, so it’s time for another installment of this. (Installments 1 and 2 here and here). I’ve been getting more and more into YA contemporary. Jandy Nelson, Stephanie Perkins, Robyn Schneider, Gayle Forman, Rainbow Rowell, and David Levithan are all recent faves. But I’d argue […]

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